Uporabnik:Skydancer/Moj peskovnik2: Razlika med redakcijama

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Skydancer (pogovor | prispevki)
Skydancer (pogovor | prispevki)
Vrstica 29:
=== Pet skandh ===
 
Sutre opisujejo pet agregatov kot:{{refn|group=lower-alpha|Sodobni avtorji (npr. mojster Tripitake [[Shramana]], [[Hsuan Hua]], [[Chögyam Trungpa]] in [[Bill Porter (avtor)|Bill Porter]]) včasih pojmujejo pet agregatov kot da sestojijo iz »enega telesnega in štirih umskih« agregatov. Bolj tradicionalna budistična literatura (kot je [[Abhidharma|Abhidhamma]]) lahko omenja en telesni agregat (oblika), tri umske faktorje (občutek, zaznava in umske tvorbe) ter zavest.}}
#'''[[rūpa|"form"»oblika«]]''' orali '''"matter"»materija«'''{{refn|group=lower-alpha|In Rawson (1991: pstr.11), the firstprva skandha isje defineddefinirana askot: "name»ime andin formoblika ...« (Sanskritsanskrit: {{IAST|''nāma-rūpa'',}}; Tibetantibetansko: ''gzugs'')...". V Inpalijskih thebesedilih [[Pali literature]],se ''[[Namarupanamarupa|{{IAST|nāma-rūpa}}]]'' traditionallytradicionalno refersnanaša toprve theštiri first four aggregatesagregate, asza opposedrazliko tood thepetega fifth aggregateagregata, consciousnesszavesti.}} (Sktskt., Pālipali: {{IAST|''rūpa''}}; Tibtib.: ''gzugs''): external and internal matter. Externally, ''rupa'' is the physical world. Internally, ''rupa'' includes the material body and the physical sense organs.{{refn|group=lower-alpha|External and internal manifestations of ''rupa'' are described, for instance, in Bodhi (2000b), p. 48.}}
#'''[[vedanā|"sensation"]]''' or '''"feeling"''' (Skt., Pāli ''vedanā''; Tib. ''tshor-ba''): sensing an object{{refn|group=lower-alpha|In these definitions, "object" refers to either a cognized form (what Western epistemologists might refer to as "sense data") or a mental expression, such as a cognized memory.}} as either pleasant, unpleasant or neutral.{{refn|group=lower-alpha|The Pali canon universally identifies that ''vedana'' involves the sensing or feeling of something as pleasant, unpleasant or neutral (see, for instance, SN 22). When contemporary authors elaborate on ''vedana'', they define it similarly (see, for instance, [[Nhat Hanh]], 1999, p. 178; Trungpa, 2001, p. 21; and, Trungpa, 2002, p. 126). The one exception is in Trungpa (1976), pp. 20-23, where he states that the "strategies or impluses" of "indifference, passion and aggression" are "part of the third stage [aggregate]," "guided by perception." (This section of Trungpa, 1976, is anthologized in Trungpa, 1999, pp. 55-58.)}}{{refn|group=lower-alpha|Generally, ''vedanā'' is considered to ''not'' include "emotions." For example, Bodhi (2000a), p. 80, writes: "The Pali word ''vedanā'' does not signify emotion (which appears to be a complex phenomenon involving a variety of concomitant mental factors), but the bare affective quality of an experience, which may be either pleasant, painful or neutral." Perhaps somewhat similarly, Trungpa (1999), p.58, writes: "Consciousness [the fifth aggregate] consists of emotions and irregular thought patterns...." And Trungpa (2001), p. 32, notes: "In this case 'feeling' is not quite our ordinary notion of feeling. It is not the feeling we take so seriously as, for instance, when we say, 'He hurt my feelings.' This kind of feeling that we take so seriously belongs to the fourth and fifth skandhas of concept and consciousness."}}
#'''[[saññā|"perception"]]''', '''"conception"''', '''"apperception"''', '''"cognition"''', or '''"discrimination"''' (Skt. ''samjñā'', Pāli ''saññā'', Tib. '' 'du-shes''): registers whether an object is recognized or not (for instance, the sound of a bell or the shape of a tree).