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Povzetek

Opis The Terminus (Plate 139.) The Terminus is a pilaster-like support, the fundamental form of which is characterized by tapering downwards in a manner recalling an inverted Obelisk. The name is derived from the fact that similar constructions were used in the Antique as milestones and to mark the Terminations of fields, &c. The Terminus consists of the profiled base, not infrequently supported on a special pedestal (figs. 3 and 7); the shaft tapering downwards and usually ornamented with festoons (figs. 3, 4, 5, 10); and the capital, which is often replaced by a bust or half-figure (figs. 4, 5, 9). In this latter case, it assumes the appearence of a caryatid; and, as the bust is that of Hermes (the God of letters), this application is often termed a "Hermes". Standing isolated, it serves as a Pedestal for busts and lamps, as a Post for railings, and in gardens and terraces. The last was exceedingly popular in the Rococo period. Joined to the wall, the Terminus often takes the place of the pilaster. This is especially true of the furniture and small architectural constructions of the Renascence period. It is also not uncommon on Utensils, e.g. tripods, handles of pokers, seals, &c. [1]
Datum
Vir A Handbook of Ornament - p. 226
Avtor Franz Sales Meyer
Dovoljenje
(Nadaljnja uporaba datoteke)
This image comes from the 6th edition of A Handbook of Ornament (1898), or earlier.
Public domain

Avtor je umrl leta 1927, zato je to delo v javni domeni tudi v državah in na območjih, kjer trajajo avtorske pravice za časa avtorjevega življenja in še 95 let ali manj po tem.

Delo je v Združenih državah Amerike v javni domeni, saj je bilo objavljeno (ali registrirano pri Uradu za avtorske pravice ZDA) pred 1. januarjem 1929.

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